Evviva Art

Leslie Wyatt

Film Photography

An Eye Catching Machine-
The Konica IIIA

I like this camera. It is a robust, all metal mechanical camera, a beautiful piece of engineering and at the time, quite an innovative design. Built around 1960 it is in mint condition and works perfectly. OK the rangefinder and viewfinder optics were messy with fungus but more on that later. The bright viewfinder is an incredible 1:1 ratio and incorporates moving frame lines to accommodate perspective changes when focussing. It has a lovely Hexanon 6-element 50mm f1.8 lens with a Seikosha MXL leaf shutter. So quiet!

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In Love With An Ikon -
The Zeiss Ikon Contax IIa

This camera was a purchase of the heart not the head! After all, it is a purely mechanical camera, is over 70 years old and was expensive. But it is in mint condition, works perfectly and is a beautiful piece of engineering. It is a black dial version No. S27802 made around March 1951.

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A Medium Format Gem -
The Bronica ETR/ETRSi

I really enjoy using the Bronica ETR/ETRS camera system. It is not a pretty camera but it is incredibly functional and easy to use. I am fortunate to have acquired an ETR and an ETRSi both in excellent condition which for 40+ year old cameras is very satisfying. It is a 'system' camera in that it is assembled from a kit of parts. The actual camera is the small box at the centre of the assembly. So, lenses are interchangable, film backs are interchangable and the viewfinders are interchangable as are the accompanying focussing screens.

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Small But Perfectly Formed -
The Pentax ME Super

OK, let's get the main gripe out of the way first....it doesn't have an auto exposure lock. But you can always set it to manual exposure and if you are trying to compensate for bright skies you should be using an ND filter anyway. So, you can tell that I love this camera. It is my go to 'workhorse' and is a delight to handle. Pentax glass has always been a premium product and there are so many lenses to fit the Pentax K mount. It is incredibly small for an SLR but all metal and so feels firm in the hand. As far as build quality goes I merely need to quote the American photographer Ken Rockwell...."Made in Japan".

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Back to Basics -
The Pentax K1000

If I have two brilliant Pentax ME SLRs and two classic mechanical rangefinders why on earth would I want a basic mechanical Pentax K1000? Well, precisely because it is an SLR, mechanical and manual. No 'auto' anything! Don't get me wrong, I'm not a technophobe. In fact, I spent most of my working life as an electronic system designer and builder. But, I just love the sound of the sophisticated mechanics of vintage film cameras and the simplicity of film speed, aperture and shutter speed.

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Konica 3A
Contax IIa
Bronica ETRSi
Pentax ME Super
Pentax K1000